Irish Crochet And How To Make It Resale Rights Ebook

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Table Of Contents

Materials For Working …………………………………………………..6
Explanation Of Stitches ………………………………….……………..7
Lesson for Beginners …………………………….…………..………..13
Motifs for Irish Crochet …………………………………….…………..16
Background Stitches …………………………………………………..45
Borders ………………………………………………….……..………..47
Beadings ………………………………………………….……………..49
Insertions ……………………………………………….………………..51
Medallions ……………………………………………….…….………..59
Costume In Irish Crochet ……………………………….……………..62
Opera Bag ……………………………………………….…….………..93
Rose Doily ……………………………………….……………………..110
Suggestions for Gowns and Coats ……………..……………………112

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Irish Crochet And How To Make It

Of all the different kinds of lace known as “Irish” that called “Irish Crochet” is the most durable, serviceable and popular. It is made in three distinct styles at the present time; one is slightly padded, one is heavily padded, while a third has no padding. The heavily padded lace is considered the most valuable and is well worth the extra time and trouble spent on it, as it is practically everlasting. Irish crochet has this advantage also over every other kind of hand-made lace, that it can be taken to pieces, altered into new shapes, as fashion dictates, and any motif that gets worn out can be replaced at will by a new one.

The best lace is always firmly and evenly worked, and it is fresh and clean when it comes from the worker’s hands. Much of the lace offered for sale, some of which scarcely deserves the name of lace, has been washed and starched to give it an appearance of firmness which in itself it does not possess. It is very difficult for two workers to make motifs exactly alike from the same written directions. A slight difference in the size of the hook or in the tightness of the work would alter the size of the motif; while the tightening or loosening of a padding cord might alter the entire sweep of the leaflets. For this reason the directions for a sprig may be carefully followed by two workers, and yet the two may turn out quite different results. One worker will make a very common-place leaf, while the other, with more artistic feeling, may give to the leaf those subtle touches, by means of the cord, which make it a real work of art.

When a sprig shows signs of either getting saucer-shaped or of frilling, when it should lie flat, the worker must use her own discretion as to increasing or diminishing the number of stitches, in order to bring about the desired result. The aim of the worker should be to produce the most artistic work she is capable of; therefore if by altering a curve, or by adding a leaflet to any sprig, she would make a design more pleasing to herself, she should not for one moment hesitate to follow her artistic instinct. It is the power to do this, which makes Irish crochet so very fascinating. Now it is this very freedom, so fascinating to the worker, which creates such difficulties to a writer upon Irish crochet. Even with the same worker a design may work out with slight differences each time it is repeated if it is one which depends much upon the cord for its shaping. When this is so the fillings of bars must differ also in each case, or they will not lie flat between these most uncertain little sprigs, and to follow directions for a given number of bars composed of a given number of stitches, would be fatal to the beauty of the lace, as no two workers would space alike. In Ireland, where the lace is so extensively done, no directions are ever given for the background, because if minute directions for fillings could be written, they would be so extremely intricate that to attempt to follow them would drive most workers distracted. The easiest plan, and the one which we shall adopt, is to teach the general plan of each filling and leave the worker to practice it until she becomes familiar with it.