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Table Of Contents
I. WOOD FINISHING IN GENERAL. ……….. 4
II. PREPARATION OF NEW AND OLD SURFACES. . 8
III. STAINS IN GENERAL ……………….. 15
IV. FACTORY PREPARED STAINS. …………. 16
V. WATER STAINS …………………… 18
VI. STAIN BRUSHING AND PROCEDURE ….23
VII. PREPARING WOOD TO TAKE STAIN EVENLY…..25
VIII. THE MIXING AND USE OF WOOD FILLERS. . 31
IX. VARNISH AND SHELLAC …………….. 39
X. VARNISHING, RUBBING, POLISHING ……..46
XI. VARNISH DEFECTS AND THEIR CAUSES ….. 64
XII. LACQUERS ……. 79
XIII. WAX FINISHES AND OIL-RUBBED FINISHES…84
XIV. SCHEDULES OF WORKING OPERATIONS. …. 88
XV. WOOD & DESCRIPTIONS OF CHARACTERISTICS …….100
XVI. BRUSH GRAINING ………………….131
XVII. DECORATIVE WOOD FINISHES BY GLAZING AND
HIGHLIGHTING ……………….133
XXVIII. REPAIRING DAMAGED FINISHES ……….137
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CHAPTER I
WOOD FINISHING IN GENERAL
THE wood finisher’s ideal must necessarily be simply that of making the most of what he has to work with, producing the maximum of beauty and serviceability under the circumstances. For no two jobs are alike in all respects and he is seldom consulted in the selection of the wood before erection.
In undertaking a job of interior wood finishing there are four factors which must be considered: the kind of wood, the color decorative plan for the room, the durability of the finish expected^ and the cost or investment of money to be made.
The kind of wood to be finished determines broadly the character of the finish to be employed. We may say that in common practice woods are finished as indicated by these groups:
Stain Natural
Mahogany Gumwood
Hickory Redwood
Chestnut Cedar
OakMahogany
Ash Walnut, American Holly Walnut, American Walnut, Circassian Bass
Paint or Enamel Pine, white Pine, yellow Pine, Oregon Fir Spruce
Butternut Oak, white, red Cottonwood Rosewood Cherry Cypress Cherry Rosewood Gumwood Birch, select Chestnut Birch Gumwood Ebony Redwood Cypress Satinwood Fir, select Cedar Redwood
In addition to the kind of wood, the grade has much to do with the selection of the finish. The cheaper grades, and even the better grades which have not been selected for grain, figure and color by the mill, often leave one with no choice of finish except as between paint and enamel.
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